Santuario Dell'Addolorata - Rho
Cappella del Sacro Cuore
Cappella di San Giovanni
Cappella di San Giorgio
Visita il Gesiolo
Torna all'interno del Santuario
L'affresco
I sette dolori della Vergine
La cappella di San Giuseppe
La cappella di San Giorgio
Altare, Leggio e Sede
La navata centrale
Il Gesiolo
Sacro cuore di Gesù - Olio su tela
San Carlo Borromeo - Andrea Lanzani (1684 ) - Olio su tela
Cappella di San Carlo
Introduzione al Gesiolo
Foto dell'affresco del Gesiolo
Fotografie del Gesiolo
Soffitto affrescato all'ingresso
Gesù che cade portando la croce
Gesù nel tempio
Gesù in croce
La deposizione dalla croce
La fuga in Egitto
La profezia di Simeone
Fotografia del Presepe
San Giorgio e il Drago - Olio su tela di Giovanni Ambrogio Figino (1586)
“Il riposo dalla fuga in Egitto” - Camillo Procaccini (~1603) - Olio su tela
Stemma Araldico della famiglia Simonetta
Stemma Araldico della famiglia Simonetta
REFUGIUM PECCATORUM CONSOLATRIX AFFLICTORUM
La Croce
Vergine con il Bambino - Artista e epoca sconosciuti - Olio su tela
Gli Organi del Santuario
L'allegoria della Chiesa
Cappella dell'Immacolata
Cappella di Sant' Ambrogio
Cappella di Sant'Anna
Il Santuario-Basilica
I Padri Oblati Missionari
L'affresco dell'Addolorata - DeepZoom
Vista Aerea - Drone
Il Presepio del Santuario di Rho
Storia e significato della croce di Leone Xlll
Luca Frigerio - L’anno giubilare del santuario di Rho
Novità! Guida interattiva dell'opera
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L'affresco
L’affresco ritrae uno dei temi più ricorrenti dell’arte sacra cristiana: la Pietà. Cristo, deposto dalla croce, si trova tra le braccia della Vergine, la quale contempla “lacrimosa” il corpo del figlio.L’opera era inserita in un gesiolo, cioè un piccolo oratorio campestre, risalente al 1522. Questi doveva trovarsi di fronte alla strada che conduce a Lainate, lungo uno dei tratti antichi del Sempione, oggi Corso Europa. A seguito del “Miracolo della Lacrimazione di Sangue”, avvenuto il 24 aprile 1583, iniziò la costruzione del santuario, il quale inglobò progressivamente la piccola cappella. Già nel 1589, cinque anni dopo la posa della prima pietra da parte di Carlo Borromeo, l’abside del santuario era quasi ultimato e fu possibile portare l’affresco sull’altare superiore, così da permetterne la venerazione ai pellegrini, sempre più numerosi. Il successore di San Carlo, Gaspare Visconti, coadiuvato dal vescovo Federico Borromeo, per accelerare la riuscita del cantiere decise di estrarre l’affresco con la tecnica dello “stacco a massello”: questa pratica richiede molto meno tempo della “tecnica a strappo” ma è molto più invasiva. Infatti, osservando l’affresco, si possono notare delle figure ai lati, solo parzialmente visibili. Erano personaggi che compartecipavano al compianto di Cristo ma sono andati perduti in quanto, con lo “stacco a massello” si preleva solo la porzione di muro interessata.
I restauri degli anni Novanta hanno rivelato che lo sfondo, coperto di nero nel XVII secolo, ricrea la campagna che circondava il gesiolo all’epoca del miracolo. Oggi, sebbene necessiti ulteriori restauri, “l’affresco miracoloso” richiama migliaia di pellegrini che, ogni anno, vengono ad ammirare e soprattutto a venerare quest’opera del Rinascimento italiano.
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La cappella di San Giorgio
La porzione sinistra del transetto custodisce, alla sua estremità, la cappella di San Giorgio, la seconda per antichità.La decorazione dell’altare venne affidata, intorno al 1614, a Pier Francesco Mazzucchelli detto il Morazzone, pittore lombardo del periodo controriformista. Egli realizzò il ciclo di affreschi ritraenti l’agiografia di San Giorgio, con un particolare gusto barocco, influenzato dalla sua formazione a Roma. In particolare, si segnala la presenza di un trompe-l'oeil sul lato sinistro della cappella: nella scena, rappresentante l’episodio “San Giorgio obbligato a pregare gli déi pagani”, si può osservare un soldato che, spaventato dal terremoto causato dal santo, sembra stia cadendo dalla cornice dell’affresco.
Al centro della cappella è presente una pala rappresentante “San Giorgio e il Drago” di Ambrogio Figino, pittore manierista del panorama lombardo.
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Sacro cuore di Gesù - Olio su tela
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Foto dell'affresco del Gesiolo
Gesù che cade portando la croce
Gesù nel tempio
Gesù in croce
La fuga in Egitto
La profezia di Simeone
Fotografia del Presepe
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Stemma Araldico della famiglia Simonetta
Stemma Araldico della famiglia Simonetta
REFUGIUM PECCATORUM CONSOLATRIX AFFLICTORUM
La Croce
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Luca Frigerio - L’anno giubilare del santuario di Rho
L’anno giubilare del santuario di Rho Tutto è nato attorno a una cappellina, il “gesiolo”, eretto sulla strada del Sempione nel 1522, 500 anni fa. Qui il dipinto della Madonna pianse lacrime di sangue il 24 aprile 1583: san Carlo fece condurre un’approfondita inchiesta e alla fine riconobbe il fatto prodigioso, esclamando: «Qui c’è il dito di Dio!». Da allora, proprio sopra il “gesiolo” è sorto un grande santuario, che oggi celebra quest’anno giubilare con molti eventi: papa Francesco ha concesso l’indulgenza plenaria ai pellegrini. Come raccontiamo in questo video e su Milano7 Avvenire.➨ Link diretto all'articolo: https://www.chiesadimilano.it/
Credit to: Luca Frigerio e www.chiesadimilano.it
Novità! Guida interattiva dell'opera
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