Sanctuaire de Notre-Dame des Douleurs - Rho
Chapelle du Sacré-Cœur
Chapelle Saint-Jean
Chapelle Saint-Georges
Visitez Gesiolo
Retour à l'intérieur du Sanctuaire
La fresque
Les Sept Douleurs de la Vierge
La chapelle Saint-Joseph
La chapelle Saint-Georges
Autel, pupitre et siège
La nef centrale
Le Gesiolo
Sacré-Cœur de Jésus - Huile sur toile
San Carlo Borromeo - Andrea Lanzani (1684) - Huile sur toile
Chapelle de San Carlo
Introduction à Gesiolo
Photo de la fresque de Gesiolo
Photographies de Gesiolo
Plafond décoré de fresques à l'entrée
Jésus tombe en portant la croix
Jésus au temple
Jésus sur la croix
La Déposition de la Croix
La fuite en Égypte
La prophétie de Siméon
Photographie de la crèche
Saint Georges et le Dragon - Huile sur toile de Giovanni Ambrogio Figino (1586)
« Le Repos pendant la fuite en Égypte » - Camillo Procaccini (~1603) - Huile sur toile
Armoiries héraldiques de la famille Simonetta
Armoiries héraldiques de la famille Simonetta
REFUGIUM PECCATORUM CONSOLATRIX AFFLICTORUM
La Croix
Vierge à l'Enfant - Artiste et époque inconnus - Huile sur toile
Les orgues du sanctuaire
L'allégorie de l'Église
Chapelle de l'Immaculée Conception
Chapelle de Sant'Ambrogio
Chapelle Sainte-Anne
Le Sanctuaire-Basilique
Les Pères Missionnaires Oblats
La fresque de Notre-Dame des Douleurs - DeepZoom
Vue aérienne - Drone
La crèche du sanctuaire de Rho
Histoire et signification de la croix de Léon XIII
Luca Frigerio - L'année jubilaire du sanctuaire de Rho
Nouveau ! Guide interactif de l'œuvre
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La fresque
La fresque représente l'un des thèmes les plus récurrents de l'art sacré chrétien : la Pietà. Le Christ, descendu de la croix, repose dans les bras de la Vierge, qui contemple le corps de son fils en larmes.L'œuvre faisait partie d'un gesiolo, un petit oratoire de campagne datant de 1522. Il devait faire face à la route menant à Lainate, le long d'un ancien tronçon du col du Simplon, aujourd'hui Corso Europa. Après le « Miracle des Larmes de Sang », survenu le 24 avril 1583, la construction du sanctuaire commença, intégrant progressivement la petite chapelle. En 1589, cinq ans après la pose de la première pierre par Charles Borromée, l'abside du sanctuaire était presque achevée et il fut possible de déplacer la fresque sur l'autel supérieur, permettant ainsi sa vénération aux pèlerins toujours plus nombreux. Pour accélérer l'achèvement du projet, le successeur de saint Charles, Gaspare Visconti, assisté de l'évêque Federico Borromeo, décida de retirer la fresque selon la technique du « stacco a massello ». Ce procédé est beaucoup plus rapide que la technique du « strappo », mais beaucoup plus invasif. En observant la fresque, on peut en effet apercevoir sur les côtés des figures, partiellement visibles. Il s'agissait de personnages participant à la Déploration du Christ, mais elles ont été perdues car, grâce à la technique du « stacco a massello », seule la partie affectée du mur est retirée.
Des travaux de restauration menés dans les années 1990 ont révélé que le fond, recouvert de noir au XVIIe siècle, recrée le paysage environnant Gesiolo à l'époque du miracle. Aujourd'hui, bien qu'elle nécessite des travaux de restauration supplémentaires, la « fresque miraculeuse » attire chaque année des milliers de pèlerins venus admirer, et surtout vénérer, cette œuvre de la Renaissance italienne.
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La chapelle Saint-Georges
La partie gauche du transept abrite, à son extrémité, la chapelle de San Giorgio, la deuxième plus ancienne.La décoration de l'autel fut confiée, vers 1614, à Pier Francesco Mazzucchelli, dit Morazzone, peintre lombard de la Contre-Réforme. Il réalisa le cycle de fresques représentant l'hagiographie de saint Georges, dans un style baroque caractéristique, influencé par sa formation romaine. On remarquera notamment la présence d'un trompe-l'œil sur le côté gauche de la chapelle : dans la scène représentant l'épisode « Saint Georges contraint de prier les dieux païens », un soldat, effrayé par le tremblement de terre provoqué par le saint, semble tomber du cadre de la fresque.
Au centre de la chapelle se trouve un retable représentant « Saint Georges et le Dragon » d'Ambrogio Figino, peintre maniériste de la scène lombarde.
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Sacré-Cœur de Jésus - Huile sur toile
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Photo de la fresque de Gesiolo
Jésus tombe en portant la croix
Jésus au temple
Jésus sur la croix
La fuite en Égypte
La prophétie de Siméon
Photographie de la crèche
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Armoiries héraldiques de la famille Simonetta
Armoiries héraldiques de la famille Simonetta
REFUGIUM PECCATORUM CONSOLATRIX AFFLICTORUM
La Croix
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Luca Frigerio - L'année jubilaire du sanctuaire de Rho
L'Année jubilaire du Sanctuaire de Rho. Tout a commencé autour d'une petite chapelle, le « gesiolo », construite sur le chemin du Simplon en 1522, il y a 500 ans. C'est là que, le 24 avril 1583, le tableau de la Vierge Marie versa des larmes de sang. Saint Charles fit mener une enquête approfondie et reconnut finalement le miracle, s'exclamant : « Voici le doigt de Dieu ! » Depuis lors, un grand sanctuaire a été construit juste au-dessus du « gesiolo », qui célèbre aujourd'hui cette Année jubilaire avec de nombreuses manifestations : le pape François a accordé l'indulgence plénière aux pèlerins. Comme nous le racontons dans cette vidéo et dans Milano7 Avvenire.➨ Lien direct vers l'article : https://www.chiesadimilano.it/
Crédit : Luca Frigerio et www.chiesadimilano.it
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