Basilica of San Vittore Martire, Bernascone Bell Tower, and Baptistery - Varese

Giuseppe Bernascone, the “Left-Handed”

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Go down to the lower floor

Saint Christopher (From the church of San Martino)

Visit the bells

Go down to the first floor

Headless Saint Dominic (From Sant'Antonio alla Motta)

Fresco by the Master of the Fissiraga Tomb, called Theory of Saints and Apostles with a devotee (14th century).

The Crucifixion with devotees making offerings

Saint Louis of Toulouse

St. James the Greater on horseback with a devotee

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Madonna with Child

Our Lady of Mercy

Madonna del Latte and Holy Bishop

Saint Nicholas of Bari

Click here to go up to the upper floor loggia

Saint Andrew with a devout donor and the Perabò family coat of arms

Giovan Battista Crespi, known as Cerano, The Mass of Saint Gregory, 1615-1617

Saint Anthony the Abbot (right) and Saint Onuphrius

Madonna with Child

Saint Leonard of Noblat - Holy Franciscan Martyr - Saint Anthony the Abbot

Nativity and Adoration of the Magi - Fresco attributed by scholars to the Master of Corzoneso.

Triptych with Madonna enthroned, Saint John the Baptist and a holy bishop.

Unidentified saint

San Giovanni Battista

San Giorgio

Madonna Enthroned with Baby Jesus

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Baptistery of St. John the Baptist, 12th - 13th century

Relic of the Holy Cross

The "Bernascone" and the cannon shots

The marks of the French cannonades of 1859

Chapel of the Rosary, circa 1598-1617 - Pier Francesco Mazzucchelli, known as Morazzone and Ticino sculptors - Altarpiece

Saint Victor the Martyr

The origins of the bell tower of San Vittore

The bells: a unique concert

The interior: stairs and structure

The bell tower and the Battle of Varese

The monumental masks

The restoration 2020–2022

The Summit: Symbols, Wind, and Faith

BAPTISTERY - The Presbytery

THE DISAPPEARED CHURCHES

Look at the bell tower from the roof of the baptistery:

Pier Francesco Mazzucchelli, known as Morazzone, Magdalene carried to heaven by angels, 1611 and Christ the Gardener and the Magdalene

CHRISTIANITY IN VARESE

THE BASILICA OF SAN VITTORE MARTIRE

The Presbytery

THE INTERIOR OF THE BASILICA

CHAPEL OF SAN GREGORIO

Chapel of the Rosary, circa 1598-1617 - Pier Francesco Mazzucchelli, known as Morazzone, and Ticino sculptors

Chapel of Santa Marta

Baptistery of San Giovanni — History and Architecture

Bell Photo Series

Bell Photo Series

Detail of a wrought iron spiral staircase from 1874

Panoramic view from Bernascone

Chapel of Our Lady of Sorrows

Chapel of Santa Caterina d'Alessandria

The organ

Introduction to the Baptistery

Apse

Medieval gravestone

The matroneum and the tribune

The exterior of the Baptistery

Saint Anthony the Abbot

Madonna with Baby Jesus

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Fresco by the Master of the Fissiraga Tomb, called Theory of Saints and Apostles with a devotee (14th century).

The Crucifixion with devotees making offerings

By the Master of the Fissiraga Tomb of Lodi: the body of the crucified Christ is rendered with a physical intensity that conveys suffering.

St. James the Greater on horseback with a devotee

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Madonna with Child

Our Lady of Mercy

Madonna del Latte and Holy Bishop

Saint Nicholas of Bari

Saint Andrew with a devout donor and the Perabò family coat of arms

Saint Andrew with a devout donor and the coat of arms of the Perabò family, one of the most influential in the village of Varese for centuries.
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Saint Anthony the Abbot (right) and Saint Onuphrius

Above the place where the religious symbols were placed: another Saint Anthony the Abbot and Saint Onofrio, covered with thick fur.

Madonna with Child

Saint Leonard of Noblat - Holy Franciscan Martyr - Saint Anthony the Abbot

Nativity and Adoration of the Magi - Fresco attributed by scholars to the Master of Corzoneso.

Triptych with Madonna enthroned, Saint John the Baptist and a holy bishop.

A triptych with the Madonna Enthroned, Saint John the Baptist, and a bishop saint. These frescoes are attributed to the so-called Master of the Third Workshop.

Unidentified saint

San Giovanni Battista

San Giorgio

Madonna Enthroned with Baby Jesus

Fresco attributed to the so-called Master of the Third Workshop.

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Relic of the Holy Cross

The "Bernascone" and the cannon shots

Having returned to Varese, after the defeat suffered at Biumo Inferiore on 26 May 1859, the Austrians, under the command of Lieutenant
Field Marshal Karl Urban carried out a cruel bombing raid on May 31st
Varese whose signs are still visible on the bell tower of San Vittore.

Varese for Italy - May 26, 1859
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Saint Victor the Martyr

 
Historical-Religious

Saint Victor the Martyr

Victor was born in Mauritania (North Africa) and enlisted in the Roman army, serving in Milan. Welcomed by the local Christian community, he embraced the faith with total dedication.

In 303, during the persecution of Maximian, the Roman army was purged of Christians. Victor, together with his fellow soldiers Nabor and Felix, abandoned service rather than apostatise. Arrested and brought to trial, he did not betray his faith and was condemned to death. The sentence was carried out at Lodi Vecchio, where the three soldiers were beheaded.

When the persecution ended, his remains were brought to Milan with honour. Devotion to Saint Victor spread rapidly: Saint Ambrose celebrated his figure in verse and wished to place the body of his brother Satyrus beside his tomb.

Did you know

Saint Ambrose — the great bishop of Milan — personally composed a poetic hymn in honour of Saint Victor. An extraordinary tribute that reveals how deeply the martyr's cult was felt already in the 4th century and how central it was to Milanese Christian identity.

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The bells: a unique concert

The bell tower houses an exceptional concert of eight bells in A flat 2, cast in 1825 by the Bizzozero foundry of Varese, considered one of the finest examples of the Ambrosian repertoire. Each bell has its own note, inscription, and liturgical function, such as the "bell of the dead," the "holy bell" announcing the Angelus, or the majestic "Campanone," which weighs over 3,400 kg. The bells accompany the life of the city at its key moments: battles, religious festivals, collective mourning, and celebrations. The sound is solemn, powerful, and harmonious, the fruit of centuries of recasts and improvements. Bells are not just musical instruments, but true voices of the community, capable of uniting citizens in a shared language of faith, history, and belonging.
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The original cannonball that hit the basilica

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Detail of a wrought iron spiral staircase from 1874

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